He’s attained fame as an award-winning actor and musician, founded a political party and run for president of his native Panama and served as the Panamanian minister of tourism, but now Rubén Blades LL.M. ’85 will add another credit to his resume: Harvard College Library benefactor.In December, Blades agreed to give his personal papers, including rare recordings of rehearsals and concerts, interviews and films, books, and other material to the Eda Kuhn Loeb Music Library.“There aren’t many archives for Latin American popular musicians,” said Virginia Danielson, Richard F. French Librarian. “The arrival of the archive marks the opening of a whole new vein of intellectual pursuit and a new opportunity for study of Latin American popular culture. This is a big event for us, and, we hope, for the Latin American community.”“Rubén Blades has been a compelling presence, not just as a superstar singer-songwriter in multiple domains of Latin jazz and popular music, but also as an individual deeply engaged with the most pressing legal and political issues of our time,” said Kay Kaufman Shelemay, the G. Gordon Watts Professor of Music. “Future researchers will no doubt seek out the Rubén Blades Archive for the insights it offers into the relationship of music to the wider world.”The arrival of the archive at Loeb Music Library, Danielson said, is largely the result of the work of two people, José Massó, host of the popular radio program ¡Con Salsa! at WBUR, and Allison Weinstock, a Blades fan, who created maestravida.com, an online discography and song reference guide dedicated to Blades’ career.“José and Allison approached the Latin American, Spanish, and Portuguese Division of Widener Library Collection Development with the idea of giving the material they had amassed to Harvard,” Danielson said. “Rubén liked the idea, and agreed to give his own material as well. When we looked at the contents of the collection, although it isn’t all music, a lot of it is, so we decided to bring it to the Music Library. The papers that are particular to his role as an official in Panama probably will stay in Panama, but the Harvard collection will include documents associated with Blades’ political interests alongside his musical work.”Among the items that will eventually be collected at Loeb: a complete collection of all LPs, CDs, and liner notes for Blades’ recorded music, concert and rehearsal audio and video recordings, sheet music and arrangements, lyrics and translations, magazine and newspaper interviews, clippings, photos and mementos.“This collection will come to us gradually, over a period of years,” Danielson said. “Right now, the material that’s come in is mostly commercial productions, but the next things we’ll get are unique video and audio recordings. That’ll be the really interesting phase. It would be fair to say we expect the archive to entail hundreds of recordings, both commercially produced and unique. I think it will be the work of three to five years to collect it all and catalog it all.“We’re at the very beginning of this project now,” Danielson added. “We expect the first components of the collection to be available in mid- to late-2009. The archive will be cataloged in HOLLIS, and we will probably handle this material with a finding aid in OASIS. Once we have a reasonable representation, we would probably announce the existence of the cataloging, with links so people could see how to get to the archive.”And considering Blades’ wide-ranging impact on both popular culture and social issues, Danielson said she expects the archive to become the focus of a great deal of scholarship.The collection is a sign of the College Library’s growing interest in popular culture, particularly popular culture in Spanish-speaking America. Considering Blades’ popularity in the United States as well as Panama and Central America, the archive also raises questions for scholars related to issues like transnationalism and diaspora, Danielson said.“Associate Librarian of Harvard College for Collection Development Dan Hazen and Lynn Shirey, the librarian for Latin America, Spain, and Portugal in Widener Library, have led a[n] … acquisitions program in the Spanish-speaking world in recent years,” she said. “It’s not just normal books and serious journals, but newspapers and popular media. The music library very much wants to be part of the development of a good Hispanic collection, period.”
At 7 a.m. Tuesday, the center of Tropical Storm Zeta was located inland over the northern Yucatan Peninsula approximately 45 miles east of Progresso and about 540 miles south of the mouth of the Mississippi River.Zeta is moving toward the northwest near 14 mph, and this general motion is forecast to continue Tuesday.Zeta should turn toward the north Tuesday night, and a faster northward to north-northeastward motion is expected on Wednesday. Zeta is forecast to re-strengthen when it moves over the southern Gulf of Mexico later Tuesday morning, and become a hurricane again later Tuesday.Zeta is forecast to be at or near hurricane strength when it approaches the northern Gulf Coast late Wednesday. Rainfall totals of 4 to 8 inches, with local amounts of 12 inches, are possible through Tuesday along and east-northeast of Zeta’s track across the Yucatan Peninsula of Mexico and the Cayman Islands. An additional 1 to 3 inches of rain will be possible across western Cuba through Tuesday.There are no Hurricane Warnings, Storm Surge Warnings, Tropical Storm Warnings and Tropical Storm Watches at this time for Southeast Texas. On the forecast track, the center of Zeta will move over the southern Gulf of Mexico later Tuesday morning, over the central Gulf of Mexico Tuesday night, then approach the northern Gulf Coast on Wednesday, and make landfall within the hurricane warning area late Wednesday or Wednesday night.Maximum sustained winds are near 70 mph (with higher gusts. Tropical-storm-force winds extend outward up to 140 miles from the center.